TRADITION
2020.10.12

Kimono Patterns―23
Shosoin Pattern: From Nara period, a refined pattern with history

From ancient times, beautiful artistic patterns on kimono have reflected the Japanese people’s delicate senses towards the changing seasons and how social conventions in the country have changed through its history.
This weekly series will take a look at various types of kimono patterns, from those that can be worn year-round to those for special occasions, with a special focus on summer-themed patterns. We will explore the meanings behind the designs as well as insights into styling a kimono attire.

This week, let us take a look at patterns that have been imported from abroad.


The photo shows a renjyu en-mon with white tigers and peacocks designed inside the circle.

Shosoin is a treasure house at Todaiji in Nara, a temple built in the Nara period (710-794). It was utilized as a storage space for the royal court. Inside, a number of items that belonged to Emperor Shomu can be found, many of which were brought in from Western Asia (Sasanian Empire in Persia, or today’s Iran) and China, adding an international color to the collection.

The number of treasures inside Shosoin is vast — dyed and woven goods alone count more than 100 thousand items. These fabrics are typically called “Shosoin-gire”. Technically, the term “Shosoin pattern” refers only to the patterns seen on these Shosoin gire, but in a wider definition, the term also includes patterns that depict any of the Shosoin treasures including musical instruments and furniture pieces, as well as patterns found on “Horyuji-gire” (fabrics from Horyuji temple, another temple in Nara).

In other words, the term “Shosoin pattern” widely refers to patterns seen in the Nara period that were influenced by Western Asia and China.


The pattern of Kiba-jinbutsu

Some of the well-known Shosoin patterns include plant-based patterns like hanamon (circular patterns based on flowers), karahana (Chinese flowers) and karakusa (foliage scroll), as well as animal patterns such as phoenix, deer, peacock and bird. Animal motifs combined with those of humans, plants and flowers are also included in the terminology, such as shuryo-mon (hunting patterns) and jyuka-doubutsu-mon (patterns of animals under the trees).

These patterns are mostly designed on obi, but some are seen on tomesode (formal kimono for married women) and homongi (formal kimono) due to the formal rank of the patterns.

Let’s take a look at six types of Shosoin patterns.

 

 


Renjyu-mon(bead-pattern)
Renjyu-mon literally means small bead-pattern. Circular patterns with beads lined up around them are called “renjyu en-mon” (“en” means “circle”). Lions, birds, beasts and people on horsebacks are drawn inside the circle. These patterns are often seen on woven fabrics found in Horyuji temple and Shosoin.  This pattern was born in Ancient Persia and was brought into Japan in the Nara period.

 

Hanakui-dori (flower-eating birds)
Hanakui-dori shows birds holding flowers in their beaks. Hanakui-dori patterns from Persia and China are found in Shosoin, with birds ranging from parrots and phoenixes to mandarin ducks (more on mandarin duck patterns here), Japanese long-tailed fowls and cranes (more on crane patterns here). The birds can be seen holding various items, from hosoge (a flower pattern in the karakusa-mon family) and yoraku (ornaments adorning Buddhist statues or altars) to pine trees and grasses.


The photo shows an exotic hanakui-dori pattern, which later evolved into a Japanese pattern named “matsukui-tsuru”, with cranes holding pine tree twigs in their beaks.

 

Shokkou-mon
This pattern was originally based on patterns found on Horyuji-gire. The name shokkou-mon came from the name of the fabric shokkou-kin brought in from China. It is a lattice pattern with rectangles and octangles placed next to each other, with karahana patterns often drawn inside the diagrams.

 

Karahana (Chinese flowers)
Originally from China, the pattern is not based on a specific flower but rather a combination of multiple flowers. The photo shows a gold karahana pattern on a black fabric.

 

Kiba-jinbutsu (person on horseback)
The pattern shows a person on horseback, usually in a hunting scene. The photo shows a pattern based on a design on a biwa (Japanese lute) found in Shosoin. It shows a foreigner playing a biwa while riding on a camel.

 

Hanamon (flower pattern)
Hanamon is a pattern inspired by patterns on twill weaves and brocades found in Shosoin. This one is also not based on any specific flower.

<Recommended season for wearing this kimono pattern>
All year round, New Year’s Day

 

Kaku to kisetsu ga hitome de wakaru―Kimono no mon-yo
(Kimono Patterns―A guide to their rank and seasons )
Supervised by Kenzo Fujii
(Sekai Bunka Publishing, in Japanese)

Featuring over 300 kimono patterns including the ones introduced in this story, the book helps readers learn about the history and meanings of kimono patterns through a rich variety of photos. Kimono and obi can be categorized into kaku (rank) depending on its material and patterns, and different occasions call for combinations of kimono and obi of the appropriate ranks. A practical and entertaining guide for all kimono lovers,  the book gives useful tips on common confusions related to the ranks and seasonal categorizations of patterns, as well as numerous kimono styling examples.

Available in Japan through Amazon and other online bookstores here. The book can also be ordered at bookstore counters in Japan with no shipping charges (the service may be unavailable at some stores).

 

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